A Barely Watchable Urban Romance

Director: Aditya Mandala

Forged: Siddhu, Seerat Kapoor

Maa Vintha Gadha Vinuma, out now on Aha, is the dictionary definition of an city romance. It’s set in Hyderabad, all of its characters are free to change between Telugu and English, feminine characters smoke with out it being a giant deal and the movie’s protagonist is allowed to ‘dudebro’ along with his dad over a few beers. It’s also an engineering faculty movie for probably the most half. From Kirik Social gathering in Kannada, Premam in Malayalam to half a dozen movies made by Gautham Menon, the setting of Maa Vintha Gadha Vinuma (MVGV) is nearly too acquainted. 

Sidhu Jonnalagadda On Maa Vintha Gadha Vinuma On Aha

In truth, GVM’s movies appear to be a serious affect on it’s director Aditya Mandala and it’s writer/lead actor Siddhu. Just like the director’s movies, MVGV too makes use of the protagonist’s voiceovers to take us again to this engineering faculty setting. The way in which silences refill lengthy conversational scenes (usually set in vehicles) and the career-oriented issues the leads need to take care of, reminds one in every of Neethaane En Pon Vasantham (Yeto Vellipoyindhi Manasu).   

The movie even acknowledges this to an extent. In an early scene, a cop jokes that he’s not a hardworking officer just like the one Victory Venkatesh performed in GVM’s Garshana. One other couple within the movie go by names like Karthik (Vinnaithandi Varuvaaya/Ye Maaya Chesave) and Meghna (Vaaranam Aayiram/Suriya, Son Of Krishnan). If you wish to get just a little obsessive, a restaurant the place an necessary scene takes place is named ‘Aaromale’. However most weirdly, it’s the ‘design aesthetics’ of the heroine Vineetha (Seerat Kapoor) that’s most like a ‘wannabe’ GVM heroine. 

Using a time period as imprecise as ‘design aesthetics’ to explain a lead character is intentional, as a result of Vineetha is arguably the largest drawback with MVGV. It’s not unhealthy casting. It’s not totally unhealthy writing both. It’s simply that Vineetha by no means seems to be a dwelling, respiration human being. The makers appear to be going for unapproachable, however she appears distant at greatest. Of their obsession to design a personality that appears a sure approach, it’s as if they forgot to provide Vineetha a beating coronary heart.   

A serious motive for that is Seerat’s OTT make-up. Even in locations as on a regular basis, as school rooms and canteens, she seems to be proper out of a Youtube make-up tutorial. And that’s a disgrace as a result of it’s actually a really conversational type of a movie. When the movie’s greatest scenes are supposed to be explosive dialogues between Sidhu (a really likeable Siddhu, with a number of beautiful man-child moments) and Vineetha, it turns into actually counter-productive once we’re distracted by the symmetric mastery of her eyelashes. 

This wouldn’t have been such a serious situation if the movie was plot pushed. However MVGV is a movie the place nothing a lot occurs. Each halves of the movie play out within the type of two prolonged flashbacks, with Sidhu explaining the explanations behind his disturbed way of thinking to a random, though likeable police officer. For those who hold apart an angle a few wedding ceremony declaration gone unsuitable, there’s nothing new both. Which signifies that it wanted to rely closely on performances and the general temper of the scenes to maintain issues shifting. Apart from Sidhu’s (and the police officer), not one of the performances make an affect, with one actor being simply interchangeable with every other. The temper too, with cafes, faculties, vehicles and bars, give us a way of déjà vu, with a sample in lighting (a lot of the day scenes really feel prefer it’s 7 AM) and music (classical fusion) that’s harking back to a number of different movies.   

Even fascinating particulars, like how Vineetha is Tamil, her possessive greatest pal, and a sophisticated businesswoman character, by no means quantity to something anticipate as elaborations to avoid wasting hole scenes. Other than a number of hilarious bits in direction of the top, the movie struggles to take care of even a fundamental degree of engagement, which ought to have been straightforward for a light-weight romance.

MVGV needs to be many issues, together with a commentary on how judgemental persons are on social media and a coming-of-age story of man-child. But it surely finally ends up feeling superficial, with a canopy that’s a lot better than the ebook. 

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