Director: M Muthaiah
Solid: Vikram Prabhu, Lakshmi Menon, Samuthirakani
“A movie by M Muthaiah” carries the identical cachet as, say, “a movie by Quentin Tarantino”. The 2 administrators could exist on the reverse ends of the artistry continuum, however you recognize precisely what you’re going to get. you’ll get a Komban, a Kutti Puli, a Marudhu: a crude mixture of motion and romance and comedy and sentiment. Pulikkuthi Pandi, although, springs a small shock. The movie is just not nice. It’s not even good. However it’s not all dangerous. I truly preferred the opening. The ruthless villain (Sannasi, performed by Vela Ramamurthy) and his ruthless son (Saravedi, performed by RK Suresh) are established in a ruthless stretch the place a lady is decapitated. The son tells the daddy: “Periya Karuppu koil-la aada nee vettu, avala naan vettaren.” Blood flows on this movie like milk on the cut-outs of huge stars throughout FDFS exhibits.
Had this been the tone all through, we’d have had a strong twist on the Thevar Magan thesis: that nonetheless a lot we strive to withstand violence, it’s all round us and it’ll slowly pull us into its vicious circle and bathe us with bloodlust. However Pulikkuthi Pandi takes too lengthy to get there, and we’re left with a most generic movie for about an hour and a half. The hero-intro is generic, with Pandi (Vikram Prabhu) singing “Venaam madhu pazhakkam” in a neighborhood ingesting institution. (The setting is Sivagangai.) The comedy is generic, with the hero’s uncle falling right into a pile of dung and somebody commenting, “Idhu dhaan nejamana sanitiser.” The screenwriting, comparable to it’s, is generic, too: the hero-intro track is adopted instantly by an motion sequence, and the heroine-intro happens quickly after.
Muthaiah has a superb head for plot, however his screenwriting – the best way he fleshes out these plot factors – is like what you’d discover in a TV serial. Take the bit that tells us how Pechi’s (Lakshmi Menon) father is linked to Pandi. It’s an awesome concept, which exhibits us simply how forgiving and peace-loving Pandi is, regardless of his tendency to get into fights. However it turns into one other side of the movie that’s… generic. Staging could also be an excessive amount of to ask for in a Muthaiah film, however even the fundamentals are barely there. There’s no flavour within the traces. There’s no life within the performances. Everybody (together with Muthaiah) treats the entire thing like a job it’s a must to grit your tooth and get performed with, so you may gather your pay cheque on the finish of the day.
However the final hour made me sit up. The hero-villain confrontations preserve escalating, and what’s good is how Pechi is dragged into numerous these situations, together with the prolonged household. This togetherness is smart given what occurs finally: it’s revenge with a twist. We additionally realise how stunning a movie might be when it doesn’t need to orbit round a giant star. The issues that occur – you can not even think about them elsewhere, given our hero-worship tradition. Once more, I don’t wish to oversell Pulikkuthi Pandi, for we’re nonetheless speaking about fascinating plot factors relatively than a correct screenplay. However for “a movie by M Muthaiah”, the truth that you might have stopped taking a look at your cellphone for about an hour is a enormous achievement. The person clearly thinks effectively. Now, if he may solely discover ways to write.