An Utterly Boring Romantic Comedy, Starring Satyadev

Director: Mohan Bammidi

Forged: Satyadev, Priydarshi, Priya Lal, Rahul Ramakrishna

Typically, it takes virtually a decade for an actor to get seen. And typically only one blockbuster is sufficient to flip the tables. Satyadev, who has starred in round two dozen Telugu movies to date, has appeared in varied roles — buddy of the hero, face within the crowd, a personality actor, and, lastly, as lead. Although he’s slowly getting the eye his expertise deserves, movies comparable to Guvva Gorinka take him again to the cave.

In a 12 months riddled with unpredictability, we’ve come to just accept the truth that watching horrible movies on OTT platforms can also be energy-consuming. The film begins off with a typical look on the character introductions — Sireesha (Priyaa Lal) is a violinist, and Sadhanand (Satyadev) is a mechanical engineer. Whereas her life revolves round enjoying the instrument day and night time, he shuns sound and noise, and his intention is to make noiseless engines. He’s the sort of man each library ought to make use of — he would forcibly guarantee peace and quiet. 

It’s an fascinating premise actually, however all the pieces that makes up this film is deliciously yawn-inducing. When Sireesha strikes into her tastefully adorned house in Hyderabad (to check music), she fears that there’s a ghost attempting to scare her away. It will have, maybe, been a greater drama had that been the case. However, it seems that Sadhanand is utilizing his engineering abilities to make the chairs shuffle round in her lounge regardless of a wall separating their dwellings. He’s her neighbour, and he doesn’t respect the ‘music’ she makes. He’s allergic to that too.

The troubles start proper from the purpose the place they’ve conversations with out feeling the necessity to trade telephone numbers. We’re residing within the age of social media, in any case. And the way do you assume they speak? They do it the old school approach — sitting on both facet of the wall! 

Guvva Gorinka reeks of the darkish facet of the 90s. The greatness of romance movies from that interval was that they featured a big forged of characters who moved round like pawns on a chess board. There have been no boring scenes and there was at all times a line right here and an expression there to maintain us entertained. Therefore it didn’t matter if the tales have been predictable. The dangerous ones, nevertheless, gave us nightmares.

Guvva Gorinka isn’t fairly a nightmare, nevertheless it’s not one thing  you want to watch on a winter night time, both. The restricted set of characters can not take the movie ahead, regardless of having arcs that change by means of the course of its 150-odd-minutes runtime. 

Raghu (Priyadarshi), Sadhanand’s buddy, is beneath the impression that he must spend cash to get what he needs from ladies, earlier than he realises that’s not true. Likewise, Sireesha’s associates Harika (Madhumitha Krishna) and Arya (Chaitanya) perceive that the concept of affection takes a special form as relationships age. 

Within the arms of one other filmmaker, these parts might have labored splendidly. However the ambitions of this director — Mohan Bammidi —  aren’t excessive. They wallow within the house simply above floor. Shouldn’t a movie that features Rahul Ramakrishna, Priyadarshi, and Bithiri Sathi (in a cameo) have a terrific place for comedy? Is that an excessive amount of to ask for?

Perhaps, the director actually didn’t know what to do with these actors. It’s exhausting to observe these wonderful comedians seem in lackadaisically-executed scenes.

When the Tamil movie Kadhal Kottai (1996) launched, there was a little bit of freshness within the plot. And it was couched within the following query, “Can two folks fall in love with out assembly face-to-face?” It was with the identical thought that Vamsy made Avunu Valliddaru Ista Paddaru! (2002). In each movies, the protagonists had a wide range of issues to depend on. And, most significantly, they have been designed in a way that you just favored them and rooted for them. 

In Guvva Gorinka, none of that occurs. Sireesha and Sadhanand take pleasure in a collection of tiring chit-chats that lead nowhere. Take the scene the place they’ve dinner, for instance. They’re fastidiously seated on both facet of the wall and digging into dishes they’ve ready. What ought to have been a slow-burning second of ardour and hope turns right into a flavourless trade. How did they even fall for one another?

The one completely cool factor about Guvva Gorinka is the background rating. Since Sireesha is a violinist, each time she picks up the instrument, a wonderful sound envelops the display screen. And this issue peremptorily stands out like a sore thumb. If Amazon Prime Video was sort sufficient to choose this three-year-old movie that couldn’t discover a theatrical window earlier than the pandemic, perhaps it might decide the hidden gems nonetheless languishing.  

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