Shakti Soundar Rajan likes the excessive idea. He likes to say “I made the primary zombie thriller in Tamil cinema”. (That was Miruthan.) He likes to say “I made the primary house journey in Tamil cinema”. (That was Tik Tik Tik.) He likes to say “I made the primary large speaking bear film in Tamil cinema”. That’s his new movie, Teddy. Sri (Sayyeshaa) is a contented lady. We see how blissful she is when she pictures a fowl and smiles. The piano music behind her is even happier. We get the sensation that pointing a digital camera at winged creatures can change a day’s value of retail remedy. Then, unhappy issues start to occur to Sri — and no, not simply because she doesn’t have her digital camera together with her anymore. It’s as a result of she suffers an accident and her spirit or soul or no matter enters a large teddy bear, which begins to talk in her voice.
The primary half is a washout: dangerous response photographs, dangerous (and really expository) writing, and purposeful dialogue that tells us what a genius Shiva (Arya) is. He is aware of all about shares and shares. He is aware of all about Greek literature. (I’m guessing his accumulation of information by no means hits a Plato!) He is aware of every little thing as a result of he has a photographic reminiscence. Do not forget that Sri likes to take pictures? Perhaps it’s a metaphor that they’re meant to be collectively, ideally with a large fowl circling above them. However Shiva is a loner and we get a track that celebrates his love for loneliness (En iniya thanimaye…) as a result of that’s the reason we watch motion pictures with large speaking bears: for the Sid Sriram songs.
There are scenes that go like this. Shiva saves a person from dying of suicide. He reassures the person that every little thing might be okay. And he walks out carrying the large speaking bear. The person who has simply been saved from suicide doesn’t appear in the slightest degree upset that the person who introduced him again to life is a person who carries round a large teddy bear. Perhaps this type of factor occurs to him on a regular basis. Perhaps the earlier time he tried suicide, he was rescued by a lady clutching a large Barbie doll. In the meantime, Shiva’s shrink walks into his bed room and tells him she desires to be in a mature relationship with him however with out marriage. However Teddy is a youngsters’s movie (I believe!), so we by no means actually learn the way mature she wished this relationship to be, and whether or not it concerned the large speaking bear.
Shiva sings songs. Shiva fights. The large teddy bear recites Bharathi: Naan veezhven ena ninaithayo! Shiva reads Ayn Rand, even when we’re those left with existential ideas. (At one level I might need mildly felt like killing myself. However then, I knew Shiva and the large teddy bear would barge in and save me.) The second half is just a little higher, even when it takes place in Azerbaijan, which appears run over by not only a large speaking bear but additionally regular-sized speaking Tamilians. Everybody speaks the language. It makes you think about an accident and surprise if the typical Azerbaijan’s reply to “Are you damage? Did you fall off your bike?” could be “Naan veezhven ena ninaithayo!” This half is the thriller half. It could be generic, however a minimum of one thing is occurring on a regular basis. Shiva conquers the villains and we get the trace of a sequel. The logic appears to be: “Properly, in case you may bear this one…”!