Director: Mahesh Narayanan
In a current interview with Movie Companion South, c u soon’s director Mahesh Narayanan emphasised the significance of the movie’s content material and stated it was all the time given precedence over the format being experimented with for the primary time in Malayalam cinema.
Having watched c u quickly, you perceive the place he’s coming from as a result of the format is one thing you shortly adapt to; it recedes into the background. In just some minutes, you overlook that you just’re voyeuristically peeping into the personal digital area of two or extra individuals and also you’re immersed of their worlds.
Which implies that it’s a really easy-to-access movie even in case you haven’t seen comparable movies resembling Unfriended or Searching. Lots of that’s due to the supply materials. It’s about two individuals assembly on Tinder and the way that develops into one thing extra earlier than it involves an abrupt finish. However even whenever you’re watching the movie assuming that it’s a easy love story, there’s all the time an ominous feeling that calls for you give it your full consideration.
Seen via the eyes, or somewhat, the screens of Jimmy (Roshan Mathew) and later his cousin Kevin (Fahadh Faasil), you witness the piecing collectively of an individual like Anu (Darshana Rajendran) based mostly on a collection of feelings…simply that these feelings are constructed on a bedrock of biases and an general male judgmental mindset. What we consider Anu relies initially on what Jimmy tells us about her and ultimately what data Kevin gathers by destroying something within the type of her privateness.
So, it’s not simply vital for Jimmy to fall in love with Anu, it’s additionally vital for him to get Kevin, a hacker, concerned to do a “background test” on her and her historical past. It additionally doesn’t assist that even Jimmy’s mom (Maala Parvathy) nonchalantly calls for of Kevin that he goes forward with this background test, paying no heed to what this implies to Anu. Which implies that when our personal understanding of Anu goes via a collection of filters, we realise how we too are fast to guage individuals based mostly on what little we see of them on-line.
What this presents us with is an interesting research of how we’ve come to understand individuals within the age of social media. How effectively do we actually know an individual we meet on-line and, extra importantly, what actually is the distinction between an individual’s rigorously curated on-line persona versus trustworthy real-life persona? These are the questions the movie places forth, however with out the simplistic reply we discover in different movies that normally ends with….. “all of social media is evil”. Briefly, c u quickly isn’t a cautionary story concerning the huge unhealthy world of social media.
The performances are stable, particularly Darshana’s. She nudges us into investing closely in Anu even once we sense a secret she’s hiding. Roshan and Fahadh too are wonderful in complicated roles as two males so blinded by male privilege that they’ve misplaced their potential to see ladies for who they’re. With Kevin, we additionally see an egoistic man-child who struggles to return to phrases with the truth that he has to work beneath a lady within the modern-day hierarchical setup.
However ultimately, it’s Mahesh Narayanan the director-editor who holds all of it collectively. Shot through the pandemic, with a minimal solid and crew, you don’t as soon as discover the tough edges you would possibly normally see in an Indian movie that’s attempting to indicate it’s set overseas. Evaluate this to the opposite movies that launched through the Onam break and also you realise how cinema is seldom concerning the funds, the restrictions or logistics. It’s not simply necessity that’s the mom of invention; maybe, the inventive itch can just do high quality too.
The few locations you disagree with the movie embrace components at first whenever you begin doubting how shortly Anu and Jimmy get collectively. With out revealing an excessive amount of, Anu’s preliminary plan appears too far-fetched and convoluted for the scenario one feels she’s in. However even with these free ends, c u quickly by no means appears like a self-indulgent movie made by individuals with loads of time on their fingers. It feels a bit like the way forward for Malayalam cinema, and we’re simply glad we bought to ‘see it quickly’.