Director: Martin Prakkat
Forged: Kunchacko Boban, Joju George, Nimisha Sajayan
Nayattu, directed by Martin Prakkat and written by Shahi Kabir, begins with a scene that I learn as a metaphor: a tug of warfare between two groups of males. In the course of this, there’s a smiling politician strolling in regards to the crowd, soliciting votes. This units up what’s going to observe as a result of the movie itself is a tug of warfare between what we conventionally name proper and unsuitable. The politician is essential, too, and signifies the by-elections not far away.
We have now a cop known as Maniyan (Joju George). He helps body a case towards a boy who’s caught with a woman whose father is a minister. Why he does that is apparent: as a result of his increased up requested him to do it and likewise as a result of he’s a father of a younger lady himself. He’s pleased with her and the thought that his daughter shouldn’t find yourself in an analogous state of affairs most likely influences him. So, Maniyan frames the boy with a false case, with the remainder of the movie being about how karma comes again to chew.
There are two different cops within the movie—Praveen (Kunchacko Boban) and Sunitha (Nimisha Sajayan). You get the sensation — at first — that there could also be a romantic angle. She will get into his jeep, he’s her within the rear view mirror, they steal glances at one another at a marriage. You suppose a romance is growing. However Nayattu is just not that form of a movie in any respect and we’re instantly thrust into Hitchcockian territory. Considered one of Hitchcock’s favourite themes was an harmless man on the run. The director and author do plenty of fascinating issues with this thriller template.
Normally, cops chase unhealthy guys, however that’s not the case right here. Additionally thrillers are often nail-biters, and that is one too. A sure occasion has to occur earlier than the voting day of a by-election. However, aside from that, every character has an issue that they’ve to resolve instantly: Praveen has to take his mom to hospital, Nimisha has to complete development in her home, Joju George has to ensure he attends his daughter’s efficiency. However in the course of all these, it’s additionally the form of movie the place individuals cease to have chai or purchase a pack of sanitary pads. One other stunning subversion is that not like the standard, shiny thrillers, Nayattu may be very rooted. It’s rooted within the elections, the Dalit vote, and the youth that refuse to bow right down to cops. There’s additionally a subtext working all through the movie in regards to the lives of cops: how this set of cops are perceived, what they give thought to their work, and the way the general public sees them.
Considered one of my favourite scenes within the movie takes place in a hashish forest the place two units of locals are combating for water. A 3rd particular person asks why they don’t simply name a cop. They reply that cops will ask for witnesses—all they need is water.
Joju George is very unbelievable and guidelines the movie. Nayattu is an object lesson on easy methods to take a thriller template and subvert it, leaving the viewers considering that they’ve watched a hard-hitting social drama.