Director: Appu N. Bhattathiri
Nizhal didn’t work for me proper from the primary scene the place we see a horrific accident and a horrific CGI hen. It reveals that Child (Kunchacko Boban) is a choose and he has a mood. However, he’s additionally the sweetest particular person; you wish to pinch his cheeks. The remainder of the movie retains introducing new concepts: PTSD, a personality which sees rain that no one else sees, there are supernatural parts, there’s a Batman-like masks character who’s had an accident is utilizing, there’s childhood trauma, a personality who’s expertise love failure in faculty and by no means comes out of it, and there’s a number of stuff in regards to the unconscious—however they don’t come collectively.
The central thriller may be very attention-grabbing. It’s about a bit of boy who writes tales about an elaborate homicide thriller (when his pals are writing about cats). However they grow to be murders in actual life too. The boy’s mom is Sharmila and performed by Nayanthara. How does this boy find out about these murders? That’s the central thriller that Child has got down to clear up.
However the reply, when it arrives, may be very unconvincing. Even the lead as much as it, which entails Sharmila and her son, is constructed up like an enormous scene: there’s large music, Child’s eyes widen in absolute horror and he sees one thing stunning, however we don’t really feel that shock.
Even the ending is underwhelming as a result of we’re launched to a model new character and he’s not been led as much as within the movie in any respect. I preferred one scene that actually labored for me: a lady who was imagined to marry one of many murdered males says that, maybe, he’s now talking from past the grave—I want I had seen that movie. However this scene too, like most others within the movie, exists by itself.
Kunchacko Boban and Nayanthara are in high quality type however Nizhal is one other instance of how stars alone can not make a film.