Director: Seema Pahwa
Forged: Supriya Pathak, Manoj Pahwa, Vinay Pathak, Ninad Kamat, Parambrata Chattopadhyay, Konkana Sen Sharma, Vikrant Massey, Divya Jagdale
Ram Prasad ki Tehrvi is Seema Pahwa’s directorial debut. You’ll know the actor from the numerous moms and chachis she has performed onscreen. Amongst my favourites is the hapless mother in Shubh Mangal Saavdhan, who tries to clarify the mysteries of a girl’s physique to her daughter by evaluating it to a gufa which solely opens for Alibaba and never for the chaalis chor. No matter the size or depth of the position, Seema imbues her characters with humanity and affection. They’re folks we acknowledge, folks we’d know in life.
She brings the identical authenticity and heat to her movie. Ram Prasad ki Tehrvi is a household drama bursting with taujis, chachis, bhabhis and nanads. However nobody on this huge tableau is shortchanged. Every character is distinctive and nursing distinctive wounds. After they all collect after their father – the titular Ram Prasad – dies, the gloves come off. However the arguments, previous hurts and bitchy asides don’t result in any earth-shattering confrontation. There are not any villains right here. Simply the understanding that human beings are flawed, relationships are fragile and but, we should try, as finest as we are able to, to be completely satisfied.
The household reunion at a funeral is an ordinary film trope. Consider movies like August: Osage County or the comedy Demise at a Funeral. In Kapoor and Sons, the grandfather’s heart-attack forces the brothers to come back dwelling. Seema makes use of the structural gadget to border her story – the movie begins with Ram Prasad dying and the narrative unfolds over the times till his tehrvi. Ram Prasad’s six kids, their spouses and kids and different family collect. There are arguments about how the kachoris ought to be cooked and the way lengthy Mama ji takes within the rest room. The 4 brothers collect on the terrace to have drinks at evening. Three sisters-in-law gossip concerning the fourth one. One nephew even manages a flirtation. In the meantime Ram Prasad’s spouse, Amma ji, stares at her huge sprawling household and wonders who these individuals are. In a single scene she says mournfully: Aaj jab sab saath hain toh bhaut akelapan lag raha hai.
It is a movie about loss and the small acts of selfishness that accrue over a lifetime however Seema, who has additionally written the story, persistently leavens it with humor – even the rituals of demise have an surprising comedy. In a single scene, a relative is haggling over the price of the wooden for Ram Prasad’s pyre. Seema additionally pokes mild enjoyable at Amma ji, who repeats, with tears and relish, the story of how her husband died to every customer who asks, ‘yeh kaise hua’. In any case, it’s Amma ji’s second within the highlight.
The massive home in Lucknow the place the household gathers is a looming presence within the movie. The varied ranges, the spiral staircase, the bed room on the terrace – all add texture to the movie’s lived-in ambiance. The digital camera glides out and in of those areas with fluidity. Actually, the weakest scenes within the movie are these exterior the home. Seema additionally assembles a terrific forged – from Naseeruddin Shah, who makes a visitor look as Ram Prasad, to Supriya Pathak as Amma ji to the terrific Manoj Pahwa because the eldest brother to Parambrata Chatterjee because the youngest brother to Konkona Sensharma as his spouse to Vikrant Massey, because the hormonally charged nephew to Brijendra Kala because the completely aggrieved son-in-law. However nobody particular person dominates the body. They work collectively like a seasoned sports activities staff.
Ram Prasad ki Tehrvi has passages which can be inert. In some scenes, the movie’s strains a lot too exhausting to tug at our heartstrings. The background rating by Sagar Desai aids on this however the songs appear pointless. Seema is just too eager to spell out the teachings to be discovered right here – Ram Prasad’s piano and the need of fixing defective notes is a recurring motif. And the script ties up the narrative threads a bit of too neatly. However the director’s compassionate gaze helps to steer the movie by means of these hurdles.
I do know the concept of beginning new yr with a movie about demise doesn’t appear very interesting however Ram Prasad ki Tehrvi leaves you with hope and a smile.
You may see it in theaters. Please do keep in mind to put on a masks.