Director: Carlo Mirabella-Davis
Author: Carlo Mirabella-Davis
Forged: Haley Bennett, Austin Stowell, David Rasche, Elizabeth Marvel
Cinematographer: Katelin Arizmendi
Editor: Joe Murphy
Streaming on: Mubi
Swallow begins with a collection of photos, any of which taken individually is likely to be present in a shiny catalogue promoting home bliss, however put collectively reveal a palpable sense of boredom. American housewife Hunter (Haley Bennett) drinks her morning espresso on the balcony of her new lakeview dwelling, cleans her pool, unpacks cartons of belongings, twirls aimlessly because it grows darkish exterior.
The loneliness solely turns into extra acute within the coming days. Hunter is regularly alone, cooking the type of well-balanced meals solely these with numerous time at their disposal can, and enjoying Sweet Crush. She springs to the door to greet her husband (Austin Stowell) the second he’s dwelling from work and appears at him expectantly whereas they eat, ready for him to touch upon her cooking or to say one thing, something whereas he busies himself with work emails. Surrounded by materials comforts, what Hunter longs for is human connection.
Who can she actually have a dialog with? It’s not her husband, who’s affable when he desires to be, however doesn’t actually pay attention. It isn’t her father-in-law (David Rasche), who brusquely interrupts her private anecdote to debate enterprise on the dinner desk, leaving her awash in disgrace. Neither is it her mother-in-law (Elizabeth Marvel), whose overtures of friendship don’t do sufficient to disguise her insinuations that Hunter is a gold digger. The regular isolation leaves the already soft-spoken lady with much less and fewer of a voice. Her being pregnant accompanies the belief that she’ll quickly develop into a chunk of furnishings herself, a silent incubator for the household’s subsequent inheritor.
So she swallows a marble.
It’s a small act of defiance, the joys of getting achieved one thing sudden in her otherwise-placid life enveloping her in a heat glow. As her Pica (the compulsion to ingest non-food objects) will get out of hand, it concurrently turns into the very factor that offers her some semblance of management. On this gilded cage of a home, paid for her by her husband’s rich dad and mom, her steadily rising assortment of swallowed knicknacks turns into the one factor she actually owns.
The digital camera, which tracked Hunter’s every day routine languidly, underlining the empty vastness of her hours, now frames her in tight close-ups as she ingests more and more harmful objects. Director Carlo Mirabella-Davis doesn’t dwell on the body-horror facet of this case, utilizing a number of well-placed pictures to let viewers’ creativeness fill within the gaps. When Hunter tries to swallow a thumbtack, it takes two tries, leaves blood on her tongue, after which on the bathroom seat when it exits the subsequent day. It’s solely pure to consider the inner carnage it brought about in between and wince.
The movie strikes ahead by making an attempt to reply the why of Hunter’s behaviour, regardless of making a cocktail of circumstances that set it up completely. It excavates her psyche to disclose that regardless of her obsession with consuming family objects, there’s one thing inside she’s attempting to purge. A collection of verbose conditions deflate a number of the narrative pressure however what retains Swallow riveting is a unbelievable efficiency by Bennett, whose doll-like manicured facade slips simply typically sufficient to disclose the brewing anxieties beneath.
By the tip, the movie is many issues — a portrait of a lady on the verge of a nervous breakdown who as a substitute decides to interrupt out, a commentary on stifling gender roles and physique dysphoria, an exploration of inherited trauma. Its success at capturing every of those themes varies, however what Mirabella-Davis’ audacious, uncomfortable and unique debut characteristic does is provide sufficient meals for thought.