Director: Churni Ganguly
Author: Churni Ganguly
Forged: Saswata Chatterjee, Ritwick Chakraborty, Raima Sen, Kaushik Ganguly
Streaming on: Hoichoi
Tarikh, actor Churni Ganguly’s second movie as a director, tells us on the very starting that the central character, Anirban (Saswata Chatterjee), is useless. And this data is given to us within the type of Fb shopping. A person (Kaushik Ganguly), who we later get to know is Anirban’s buddy, needs him on his birthday by posting one thing on his wall. Solely to seek out out that he’s no extra when he sees what Anirban’s different associates on Fb have written: Anirban handed away on the day of his birthday a 12 months in the past; and since Ganguly’s character, a photographer on an extended project in Africa, has logged into his social media account after a interval of hibernation, he’s discovering it out solely now.
What follows is the probably the most uncommon character introduction scene, that unfolds solely on Anirban’s Fb profile. The foremost characters of the story are launched via the scraps of remembrance they’ve written for Anirban: his childhood buddy Rudra (Ritwick Chakraborty), his spouse Ira (Raima Sen), just a few of his college students on the College the place he used to show English literature. Thoughts you, we nonetheless haven’t seen Anirban in blood and flesh, solely his Fb profile. We’re being ready for a flashback—or slightly, a collection of flashbacks.
However how will we make the bounce from the current to the previous? What’s going to outline the timeline of the occasions that we are going to see? What are the occasions we’re going to watch? All that is dictated by the lifespan of Anirban’s time on Fb, because the day he joined the social media community at his college students’ behest. Anirban’s introduction scene is the establishing of his Fb profile: from his selecting a Pink Floyd album cowl artwork for his ‘cowl image’, to his debut put up on the social media platform. We’ll now function inside this timeline. We’ll navigate inside this framework, from one anniversary to a different, along with his daughter’s birthday in between; episodes will unfold out and in of chat containers; selfies will unravel their behind-the-scenes.
If this sounds contrived and heavy-handed on paper as an idea word, it flows easily on display screen. There’s a rhythm within the enhancing (Subhajit Singha) and its cues are largely aural: the voiceovers information us from one scene to the subsequent or to a line in a chat; at different occasions it’s a homage to the opening guitar passages (by Raja Narayan Deb) of “Want You Have been Right here” (it’s really a homage, made all too apparent by the top) and Mohiner Ghoraguli covers sung by Anirban’s college students. This enhancing fashion and forwards and backwards throughout timelines is a crutch to interrupt into episodic vignettes into the first characters of the story Anirban, Ira and Rudra. However it is also instrumental in the way in which the dynamics between the trio play out.
Contemplate the scene by which we see Rudra for the primary time in actual, bodily type. He’s on the cellphone with Ira, however it seems to be like he’s speaking to his lover. This creates a notion that Rudra and Ira are a pair and Anirban is the outsider, who enters their life in reverse from the useless (the movie makes a number of later allusions to this notion). Chakraborty is fascinating as Rudra, who hides delicate hints of his darkness below informal ambivalence. He’s single, and is prone to be so for the remainder of his life; he fills the voids and empty areas in his life along with his lived experiences with Anirban’s household–a reality he just about spells out on the Holi evening on the Bolpur farmhouse the place they get drunk and play confessional video games. He stands in as a father determine to their daughter, Ninny, and naturally, as Ira’s husband/lover. On the identical time, he’s additionally the man defending his buddy in entrance of Ira (when he isn’t round).
The difficult equation of Anirban, Rudra and Ira is on the coronary heart of Tarikh, one which loses its efficiency after we’re again within the current, put up Anirban’s demise. We by no means get an actual sense of what Ira feels for Rudra, for instance. Or why, if Rudra and Anirban are childhood associates, do they really feel so aside. Aside from him being resentful of Rudra’s rising closeness along with his spouse and daughter, one clarification is that Anirban had turn into more and more lonesome, in all probability even depressed, disconnected from the people who find themselves purported to be his closest, disturbed by ideological decay and brought additional away from Ira due to his tutorial snobbishness. (Chatterjee portrays all this and extra, if a bit repetitive with sure ‘inventory expressions’). His solely two associates are the photographer within the opening scene of the movie and a sure Georgina, who we solely see via her Fb chats with Anirban (and who Ira suspects to be his lover, which the movie turns round with a foolish twist). The truth that we see little or no of Anirban’s actual associates deepens our sense of Anirban’s alienation.
The Fb format works as a result of it’s about connections, a few of them forbidden, chat containers, our notion of spousal privateness. Even the dates—alluded to within the title—are interconnected by future. Anirban and Ira’s anniversary and Rudra’s birthday are on the identical day—additional pointing towards the concept Rudra’s sole objective within the story is to be the third wheel in Anirban and Ira’s marriage. It’s an intricately constructed screenplay for probably the most half, that wanted higher ending. However Ganguly has made a movie that feels handcrafted and private, just like the brief kurta with modernist blocks Rudra wears at a celebration, in all probability handpicked by Ganguly (who did a number of the styling in her first movie, Nirbasito). It’s a must to see how a lot it provides to the scene.