Director: Sivaram Mony
Forged: KK Sudhakaran, G Suresh Kumar, Ameya Mathew, Meera Nair
Thimiram begins with a bit of boy getting two items of fish whereas a bit of lady will get just one. The mom herself says that’s sufficient for the lady. Because the boy lazes round, the lady does the chores. As he grows up, he turns into a voyeur. That is kind of like a flashback and we’re then launched to the seventy-year outdated Sudhakaran (KK Sudhakaran) who has a cataract drawback. The digital camera is proven blurred — as if smeared with vaseline — in photographs which might be from his viewpoint, and we don’t see a lot.
However outdated habits die arduous; the truth that he has a cataract doesn’t change the way in which he behaves with ladies. He nonetheless goes behind the native intercourse employee, and a widow who runs a grocery retailer and he harasses ladies. He additionally hates his daughter-in-law (Meera Nair) as a result of she failed to usher in any dowry; he disallows her from serving him meals. He doesn’t prefer it when her slippers are on the prime of the rack; he thinks ladies’s slippers ought to be on the backside. The cataract turns into a metaphor for his blindness: his incapability to see women and men as equal and deal with them each the identical.
The opposite main character —additionally male — is Ram (Vishak Nair), Sudhakaran’s son. He’s a struggling screenwriter however what stands out is his loyalty in direction of his father regardless of his clearly disgusting behaviour. That tells us quite a bit about Ram, who outwardly is a really first rate man. Sudhakaran’s spouse sweeps issues beneath the carpet as an alternative of shouting it out to the general public. So, we get the image of a society that has collectively enabled male chauvinists like Sudhakaran.
The main plus of the film is the writing. Sudhakaran who has a number of points remains to be not proven as an apparent monster. The monstrous behaviour is proven however he’s written as a really regular individual with strange monetary issues. He additionally has diabetic and cataract issues. It’s obscure how his sexual deviance develops as a result of his peeping prime behaviour additionally extends to males.
However Sudhakaran has this mindset that it’s frequent for males to want to the touch ladies. He additionally believes that girls are right here to serve males. The ladies on this movie are proven as very nice folks. There’s an occasion the place his daughter-in-law provides him her bangle for an emergency within the family. The widow who runs the availability retailer doesn’t rely on any males. There’s a nurse who takes care of Sudhakar, however she doesn’t take any nonsense from him. And there are ladies like Sudhakaran’s spouse who “sacrifice” — if that’s the phrase — their very own world for the world of Sudhakaran. He stopped his spouse from working after marriage as a result of then she would develop into extra dominant.
On the similar time, it looks like these messages are hammered in a bit an excessive amount of. They had been informed in a way more refined manner in The Nice Indian Kitchen. You possibly can argue that this movie is from the male’s viewpoint. What I appreciated was that they underplayed the drama for probably the most half. It makes it really feel like virtually the entire deplorable stuff that we see is “pure’ and never a particular incidence in society — proper till the climax. The movie reveals that society has learnt to reside with and settle for creatures like Sudhakaran as in the event that they had been regular folks and never extraordinary creatures.